{"id":3091,"date":"2026-04-21T16:04:06","date_gmt":"2026-04-21T14:04:06","guid":{"rendered":"https:\/\/horst.salvador-dali.org\/sur-la-beaute\/escenificant-la-bellesa\/"},"modified":"2026-04-29T13:22:53","modified_gmt":"2026-04-29T11:22:53","slug":"mettre-en-scene-la-beaute","status":"publish","type":"page","link":"https:\/\/horst.salvador-dali.org\/fr\/sur-la-beaute\/mettre-en-scene-la-beaute\/","title":{"rendered":"Mettre en sc\u00e8ne la beaut\u00e9"},"content":{"rendered":"\n
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Mettre en sc\u00e8ne la beaut\u00e9<\/strong><\/strong><\/h1>\n\n\n\n
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\u00ab La mode est l\u2019expression d\u2019une \u00e9poque. L\u2019\u00e9l\u00e9gance est tout autre chose. \u00bb<\/p>\n\n\n\n

HORST P. HORST<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

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Tr\u00e8s t\u00f4t, Gala et Salvador Dal\u00ed se font photographier par les professionnels les plus prestigieux du moment. Conscients de la valeur et de l\u2019impact de l\u2019image, ils d\u00e9filent devant l\u2019objectif de grands artistes du XXe<\/sup> si\u00e8cle, comme Man Ray, Brassa\u00ef, Cecil Beaton, Irving Penn ou Philippe Halsman. Avec plusieurs d\u2019entre eux, ils entretiennent des relations professionnelles et personnelles durables, notamment avec Horst P. Horst.<\/p>\n\n\n\n

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Les photographies de Gala et de Salvador Dal\u00ed mettent en \u00e9vidence les traits les plus caract\u00e9ristiques du style de Horst. Malgr\u00e9 leur naturel apparent, ces portraits de studio sont con\u00e7us presque comme des sculptures : lumi\u00e8re, composition, geste… Tout est minutieusement \u00e9tudi\u00e9. Horst ne cherche pas la profondeur psychologique ; il veut capturer l\u2019image la plus esth\u00e9tique, la plus \u00e9l\u00e9gante.<\/p>\n\n\n\n

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Si l\u2019\u0153uvre de Horst est, par essence, une projection id\u00e9alis\u00e9e de la r\u00e9alit\u00e9, les planches-contact de l\u2019artiste r\u00e9v\u00e8lent en revanche un regard complice et d\u00e9tendu. Elles t\u00e9moignent de la chaleur et de la confiance qu\u2019il parvient \u00e0 instaurer avec ses mod\u00e8les.<\/p>\n\n\n\n

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\u00ab Le v\u00eatement est essentiel pour triompher. Dans ma vie, rares sont les occasions o\u00f9 je me suis abaiss\u00e9 \u00e0 m\u2019habiller de fa\u00e7on ordinaire. Je porte toujours l\u2019uniforme Dal\u00ed. \u00bb<\/p>\n\n\n\n

SALVADOR DAL\u00cd<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

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LA GARDE-ROBE DE GALA ET DAL\u00cd<\/strong><\/h2>\n<\/div>\n\n\n\n
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Le v\u00eatement constitue un \u00e9l\u00e9ment central de la mise en sc\u00e8ne de Gala et de Salvador Dal\u00ed. C\u2019est un outil d\u2019expression, m\u00eame lorsque l\u2019image est cr\u00e9\u00e9e par d\u2019autres. Avant de prendre place devant l\u2019objectif, ils choisissent leurs v\u00eatements et accessoires avec soin. Rien n\u2019est laiss\u00e9 au hasard. Gala opte pour des vestes sophistiqu\u00e9es r\u00e9alis\u00e9es sur mesure par Arthur Falkenstein \u2014 couturier pris\u00e9 des cercles artistiques nord-am\u00e9ricains \u2014, qu\u2019elle porte avec des colliers sign\u00e9s Coco Chanel. Dal\u00ed, pour sa part, accorde une attention particuli\u00e8re aux d\u00e9tails : une \u00e9pingle de cravate orn\u00e9e d\u2019un portrait de cardinal ou une cravate Pierre Cardin, avec son nom brod\u00e9 de strass, accompagnent sa moustache iconique.<\/p>\n\n\n\n

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Gala<\/strong>
Salvador Dal\u00ed \/ Horst P. Horst
c. 1957
Gouache\u00a0et huile\u00a0sur\u00a0photographie\u00a0\u00a0
Fundaci\u00f3 Gala-Salvador Dal\u00ed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Salvador Dal\u00ed<\/strong>
Horst P. Horst
c. 1957
Arxiu Fundaci\u00f3 Gala-Salvador Dal\u00ed<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Veste\u00a0de style\/d\u2019inspiration\u00a0militaire\u00a0

c. 1947
Lin et coton\u00a0
Fundaci\u00f3 Gala-Salvador Dal\u00ed, NI P1378<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Attribu\u00e9\u00a0\u00e0\u00a0Arthur Falkenstein (New York)<\/strong>\u00a0
Veste de\u00a0soir\u00e9e\u00a0
c. 1951
Velours, serg\u00e9 de laine,\u00a0passementerie\u00a0et crochet\u00a0
Fundaci\u00f3 Gala-Salvador Dal\u00ed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Arthur\u00a0Falkenstein\u00a0(New York)<\/strong>\u00a0
Veste de\u00a0soir\u00e9e\u00a0
c. 1956
Velours de soie,\u00a0fils m\u00e9talliques\u00a0et\u00a0sequins\u00a0
Fundaci\u00f3 Gala-Salvador Dal\u00ed<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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LE FONDS HORST P. HORST<\/strong><\/h2>\n<\/div>\n\n\n\n
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L\u2019exposition Dal\u00ed\/Horst. Regards crois\u00e9s<\/em> est n\u00e9e de l\u2019\u00e9tude et de l\u2019inventaire du pr\u00e9cieux fonds documentaire consacr\u00e9 au photographe et conserv\u00e9 \u00e0 la Fundaci\u00f3 Gala-Salvador Dal\u00ed. Cette recherche a permis d\u2019enrichir la collection par l\u2019acquisition de magazines et de monographies d\u2019\u00e9poque, et d\u2019\u00e9tablir un contact avec The Horst Foundation<\/a>, une institution consacr\u00e9e \u00e0 la pr\u00e9servation et \u00e0 la diffusion de l\u2019\u0153uvre du c\u00e9l\u00e8bre photographe.<\/p>\n\n\n\n

Ce fonds comprend principalement des portraits et des planches-contacts de portraits de Gala et de Salvador Dal\u00ed, ainsi que des ouvrages sp\u00e9cialis\u00e9s et des exemplaires d\u2019\u00e9poque de la revue Vogue<\/em>. Il inclut \u00e9galement des portraits de la chroniqueuse mondaine Elsa Maxwell et du mannequin Estrella Boissevain, \u00e9galement connue comme torera<\/em> et danseuse de flamenco. On y trouve aussi plusieurs planches-contacts issues d\u2019une s\u00e9ance de prise de vue avec le jeune acteur William Rothlein, pressenti pour incarner Salvador Dal\u00ed dans un projet de biopic.<\/p>\n\n\n\n

Parmi ces pi\u00e8ces figure notamment un portrait in\u00e9dit de Gala, rehauss\u00e9 \u00e0 la gouache et \u00e0 l\u2019huile par Salvador Dal\u00ed, ainsi que plusieurs tirages d\u2019un collage con\u00e7u par l\u2019artiste \u00e0 partir de deux photographies de Horst, publi\u00e9 dans Vogue<\/em> en juin 1943. Cette image \u00e9tait destin\u00e9e \u00e0 pr\u00e9senter \u00ab Madame Salvador Dal\u00ed \u00bb au public am\u00e9ricain.<\/p>\n\n\n\n

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Mettre en sc\u00e8ne la beaut\u00e9 \u00ab La mode est l\u2019expression d\u2019une \u00e9poque. L\u2019\u00e9l\u00e9gance est tout autre chose. \u00bb HORST P. HORST Tr\u00e8s t\u00f4t, Gala et Salvador Dal\u00ed se font photographier par les professionnels les plus prestigieux du moment. Conscients de la valeur et de l\u2019impact de l\u2019image, ils d\u00e9filent devant l\u2019objectif de grands artistes du XXe si\u00e8cle, […]<\/p>\n

Lire la suite\u2026 from Mettre en sc\u00e8ne la beaut\u00e9<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":3054,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-bellesa.php","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-3091","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMettre en sc\u00e8ne la beaut\u00e9 - Dal\u00ed\/Horst<\/title>\n<meta name=\"robots\" content=\"noindex, nofollow\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mettre en sc\u00e8ne la beaut\u00e9 - Dal\u00ed\/Horst\" \/>\n<meta property=\"og:description\" content=\"Mettre en sc\u00e8ne la beaut\u00e9 \u00ab La mode est l\u2019expression d\u2019une \u00e9poque. L\u2019\u00e9l\u00e9gance est tout autre chose. \u00bb HORST P. 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