{"id":3072,"date":"2026-04-21T12:47:10","date_gmt":"2026-04-21T10:47:10","guid":{"rendered":"https:\/\/horst.salvador-dali.org\/sur-la-beaute\/dialeg-creatiu\/"},"modified":"2026-04-29T15:43:31","modified_gmt":"2026-04-29T13:43:31","slug":"dialogue-creatif","status":"publish","type":"page","link":"https:\/\/horst.salvador-dali.org\/fr\/sur-la-beaute\/dialogue-creatif\/","title":{"rendered":"Dialogue cr\u00e9atif"},"content":{"rendered":"\n
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Dialogue cr\u00e9atif<\/h1>\n\n\n\n
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\u00ab L\u2019\u00e9l\u00e9gance, c\u2019est l\u2019\u00e9quilibre entre la fantaisie et le regard. \u00bb<\/p>\n\n\n\n

SALVADOR DAL\u00cd<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

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D\u00e8s les d\u00e9buts de leur collaboration, \u00e0 la fin des ann\u00e9es trente, l\u2019artiste et le photographe transforment l\u2019acte de regarder en un geste cr\u00e9atif, d\u00e9lib\u00e9r\u00e9 et po\u00e9tique, sur fond d\u2019une m\u00eame fascination pour le monde classique.<\/p>\n\n\n\n

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Salvador Dal\u00ed, audacieux et transgressif, explore les limites de la beaut\u00e9 dans ses propositions pour le ballet Bacchanale<\/em>, le pavillon R\u00eave de V\u00e9nus<\/em> et ses sc\u00e9nographies pour Vogue, <\/em>articul\u00e9es autour de laV\u00e9nus de Botticelli et de reconstitutions de l\u2019architecture de l\u2019Antiquit\u00e9.<\/p>\n\n\n\n

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De son c\u00f4t\u00e9, Horst P. Horst offre un contrepoint aux id\u00e9es daliniennes en dotant ses images d\u2019une beaut\u00e9 harmonieuse et id\u00e9alis\u00e9e, leur conf\u00e9rant ainsi une patine d\u2019\u00e9ternit\u00e9 caract\u00e9ristique de l\u2019art classique, qu\u2019il admire tant et qui l\u2019inspire profond\u00e9ment.<\/p>\n\n\n\n

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R\u00caVE DE V\u00c9NUS<\/strong><\/h2>\n<\/div>\n\n\n\n
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En 1939, \u00e0 l\u2019occasion de la cr\u00e9ation du pavillon R\u00eave de V\u00e9nus<\/em> pour l\u2019Exposition universelle de New York, a lieu le premier \u00e9change cr\u00e9atif entre Salvador Dal\u00ed et Horst P. Horst. Les photographies embl\u00e9matiques de Horst t\u00e9moignent de cette rencontre inaugurale sur le sol nord-am\u00e9ricain. Elles montrent des mannequins nus, que Dal\u00ed et Gala avaient par\u00e9s d\u2019accessoires \u00e9voquant l\u2019univers marin, comme le c\u00e9l\u00e8bre collier d\u2019\u00e9toiles en galalithe de la collection \u00e9t\u00e9 1939 d\u2019Elsa Schiaparelli.<\/p>\n\n\n\n

Avec l\u2019intervention de Dal\u00ed, ces images deviennent des projets de costumes pour les sir\u00e8nes appel\u00e9es \u00e0 prendre place dans l\u2019installation. La puissance de ces cr\u00e9atures des abysses, \u00e0 la fois fascinantes et inqui\u00e9tantes, rappelle la \u00ab beaut\u00e9 convulsive \u00bb, impr\u00e9visible et irrationnelle, c\u00e9l\u00e9br\u00e9e par Andr\u00e9 Breton dans Nadja<\/em> (1928), et trouve un \u00e9cho particulier dans certaines propositions cr\u00e9atives r\u00e9centes de Daniel Roseberry pour la maison Schiaparelli.<\/p>\n\n\n\n

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Salvador Dal\u00ed \/ Horst P. Horst.<\/strong>
Disseny de vestuari <\/em>pour R\u00eave de Venus<\/em> 
1939 
Tirage d\u2019exposition 
Baltimore Museum of Art, BMA 1988.286 
 
Baltimore Museum of Art, Purchase with exchange funds from the Edward Joseph Gallagher III Memorial Collection; and partial gift of George H. Dalsheimer, Baltimore, BMA 1988.286  
Photography By: Mitro Hood <\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Salvador Dal\u00ed \/ Horst P. Horst.<\/strong>
Disseny de vestuari pour R\u00eave de Venus<\/em> 
1939 
Tirage d\u2019exposition 
The Israel Museum, Jerusalem, B81.1348 <\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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MODE ET SURR\u00c9ALISME<\/strong><\/h2>\n<\/div>\n\n\n\n
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Pendant les ann\u00e9es trente, le surr\u00e9alisme franchit les fronti\u00e8res de l\u2019art et investit la mode et le commerce, offrant ainsi \u00e0 Salvador Dal\u00ed un terrain id\u00e9al pour diffuser ses id\u00e9es et ses propositions aupr\u00e8s du grand public. On retiendra notamment les contributions de l\u2019artiste \u00e0 des magazines de prestige comme Vogue<\/em>, ses collaborations avec la cr\u00e9atrice de mode italienne Elsa Schiaparelli pour plusieurs mod\u00e8les de haute couture, ainsi que la cr\u00e9ation de vitrines surr\u00e9alistes pour les grands magasins new-yorkais Bonwit Teller.<\/p>\n\n\n\n

Dans ce m\u00eame contexte, le langage photographique, qui a supplant\u00e9 l\u2019illustration graphique dans les magazines de mode, conna\u00eet lui aussi un essor consid\u00e9rable et trouve dans l\u2019art d\u2019avant-garde un puissant moteur cr\u00e9atif. Selon Horst P. Horst, \u00ab le d\u00e9cor mis en place par le photographe, le v\u00eatement et le mod\u00e8le lui-m\u00eame refl\u00e9taient les \u00ab\u00a0ismes\u00a0\u00bb qui agitaient Paris cette saison-l\u00e0 \u00bb. De fait, les collaborations de Horst et Dal\u00ed pour Vogue<\/em>, ainsi que les nombreuses photographies r\u00e9alis\u00e9es pendant les ann\u00e9es trente et quarante, permettent de mesurer l\u2019influence du surr\u00e9alisme sur l\u2019\u0153uvre de Horst, qui acquiert ainsi une dimension \u00e0 la fois troublante et profond\u00e9ment po\u00e9tique.<\/p>\n\n\n\n

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Horst P. Horst<\/strong>
Composition de Salvador Dal\u00ed per a Vogue<\/em>
1948
Cond\u00e9 Nast Archive
New York<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Dialogue cr\u00e9atif \u00ab L\u2019\u00e9l\u00e9gance, c\u2019est l\u2019\u00e9quilibre entre la fantaisie et le regard. \u00bb SALVADOR DAL\u00cd D\u00e8s les d\u00e9buts de leur collaboration, \u00e0 la fin des ann\u00e9es trente, l\u2019artiste et le photographe transforment l\u2019acte de regarder en un geste cr\u00e9atif, d\u00e9lib\u00e9r\u00e9 et po\u00e9tique, sur fond d\u2019une m\u00eame fascination pour le monde classique. Salvador Dal\u00ed, audacieux et transgressif, explore […]<\/p>\n

Lire la suite\u2026 from Dialogue cr\u00e9atif<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":3054,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-bellesa.php","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-3072","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nDialogue cr\u00e9atif - Dal\u00ed\/Horst<\/title>\n<meta name=\"robots\" content=\"noindex, nofollow\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dialogue cr\u00e9atif - Dal\u00ed\/Horst\" \/>\n<meta property=\"og:description\" content=\"Dialogue cr\u00e9atif \u00ab L\u2019\u00e9l\u00e9gance, c\u2019est l\u2019\u00e9quilibre entre la fantaisie et le regard. \u00bb SALVADOR DAL\u00cd D\u00e8s les d\u00e9buts de leur collaboration, \u00e0 la fin des ann\u00e9es trente, l\u2019artiste et le photographe transforment l\u2019acte de regarder en un geste cr\u00e9atif, d\u00e9lib\u00e9r\u00e9 et po\u00e9tique, sur fond d\u2019une m\u00eame fascination pour le monde classique. 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