{"id":3065,"date":"2026-04-21T21:13:49","date_gmt":"2026-04-21T19:13:49","guid":{"rendered":"https:\/\/horst.salvador-dali.org\/sobre-la-belleza\/la-bellesa-segons-dali\/"},"modified":"2026-04-29T13:55:24","modified_gmt":"2026-04-29T11:55:24","slug":"el-ideal-clasico","status":"publish","type":"page","link":"https:\/\/horst.salvador-dali.org\/es\/sobre-la-belleza\/el-ideal-clasico\/","title":{"rendered":"El ideal cl\u00e1sico"},"content":{"rendered":"\n<div class=\"wp-block-columns hero hero--front-page--desktop is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h1 class=\"wp-block-heading has-text-align-center has-large-font-size\"><strong>El ideal cl\u00e1sico<\/strong><\/h1>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center text wp-block-paragraph\">\u00abPuedo garantizar que tiene m\u00e1s m\u00e9rito crear belleza en 1947 que bajo la tutela paterna de un&nbsp;Perugino.\u00bb<\/p>\n\n\n\n<p class=\"has-text-align-center autor wp-block-paragraph\">SALVADOR DAL\u00cd<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">New Paintings by Salvador Dal\u00ed, Bignou Gallery, New York, 1947<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns has-white-color has-text-color has-background has-link-color wp-elements-4c524b4746d2c783b0ccfc046287c0a5 is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\" style=\"background-color:#222220\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a13f05983a67&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6a13f05983a67\" class=\"wp-block-image size-large caption wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"627\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/horst.salvador-dali.org\/wp-content\/uploads\/2026\/04\/i0340-Personalizado-627x1024.jpg\" alt=\"\" class=\"wp-image-3042\" srcset=\"https:\/\/horst.salvador-dali.org\/wp-content\/uploads\/2026\/04\/i0340-Personalizado-627x1024.jpg 627w, https:\/\/horst.salvador-dali.org\/wp-content\/uploads\/2026\/04\/i0340-Personalizado-184x300.jpg 184w, https:\/\/horst.salvador-dali.org\/wp-content\/uploads\/2026\/04\/i0340-Personalizado-768x1255.jpg 768w, https:\/\/horst.salvador-dali.org\/wp-content\/uploads\/2026\/04\/i0340-Personalizado-940x1536.jpg 940w, https:\/\/horst.salvador-dali.org\/wp-content\/uploads\/2026\/04\/i0340-Personalizado.jpg 1175w\" sizes=\"auto, (max-width: 627px) 100vw, 627px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\"><strong>Salvador Dal\u00ed<\/strong><br><em>Desmaterializaci\u00f3n cerca de la nariz de Ner\u00f3n<br><\/em>1947<br>\u00d3leo sobre lienzo<br>Fundaci\u00f3 Gala-Salvador Dal\u00ed<br><a href=\"https:\/\/catalogues.salvador-dali.org\/catalogues\/es\/heritageobject\/1913\/\" target=\"_blank\" rel=\"noreferrer noopener\">N\u00fam. cat. P 626<\/a>\u202f<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\"><em><em>Desmaterializaci\u00f3n cerca de la nariz de Ner\u00f3n<\/em><\/em><\/h3>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">La reivindicaci\u00f3n del clasicismo y del Renacimiento, que arraiga con fuerza en la obra de Salvador Dal\u00ed durante los a\u00f1os cuarenta, nace de un anhelo profundo de reencontrarse con el viejo continente, la a\u00f1orada Europa, a la que no ha regresado desde su exilio en Estados Unidos en 1940. En obras como <em>Desmaterializaci\u00f3n cerca de la nariz de Ner\u00f3n<\/em> de 1947, este ideal de belleza cl\u00e1sica sigue vigente, pero adquiere una nueva deriva a ra\u00edz de la explosi\u00f3n de la primera bomba at\u00f3mica en Hiroshima, un acontecimiento que marca un antes y un despu\u00e9s en la historia de la humanidad y que sacude profundamente al artista. Lo recuerda a\u00f1os m\u00e1s tarde en su libro <em>Confesiones inconfesables<\/em> (1973): \u00abLa explosi\u00f3n at\u00f3mica del 6 de agosto de 1945 me hab\u00eda estremecido s\u00edsmicamente. Desde aquel momento, el \u00e1tomo fue mi tema de reflexi\u00f3n preferido. Muchos de los paisajes pintados durante este per\u00edodo expresan el gran miedo que experiment\u00e9 con la noticia de aquella explosi\u00f3n. Aplicaba mi m\u00e9todo paranoico-cr\u00edtico a la exploraci\u00f3n de aquel mundo.\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A diferencia de obras como <em>Idilio at\u00f3mico y ur\u00e1nico melanc\u00f3lico<\/em> (<a href=\"https:\/\/catalogues.salvador-dali.org\/catalogues\/es\/heritageobject\/36-5669\/\">N\u00fam. cat. P 606<\/a>), que Dal\u00ed pinta en 1945 a\u00fan en estado de shock y, en consecuencia, con un tono mucho m\u00e1s apocal\u00edptico y tenebroso, la pintura que nos ocupa sorprende por su apariencia serena y armoniosa. El inter\u00e9s de Dal\u00ed por la f\u00edsica cu\u00e1ntica y la desintegraci\u00f3n del \u00e1tomo se pone de manifiesto en su pintura a trav\u00e9s de la desmaterializaci\u00f3n de figuras y objetos, que a menudo aparecen suspendidos y fragmentados. En la escena, cuatro personajes aislados que parecen provenir de otras \u00e9pocas contemplan, inm\u00f3viles, la ingravidez de los diversos elementos. Son testigos del nacimiento de una nueva realidad cient\u00edfica y de su impacto en la creaci\u00f3n daliniana, que inaugura su propia etapa at\u00f3mica.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Elementos como el busto de Ner\u00f3n y el motivo iconogr\u00e1fico de la granada merecen una atenci\u00f3n especial. Por un lado, el emperador que asociamos con la destrucci\u00f3n y el incendio de Roma, s\u00edmbolo de un poder devastador y arbitrario, puede leerse aqu\u00ed como una alusi\u00f3n a la capacidad autodestructiva de la humanidad, amplificada con la llegada de la era nuclear. Por otro lado, la granada, fruto vinculado desde la antig\u00fcedad a la muerte y la resurrecci\u00f3n, introduce una dimensi\u00f3n simb\u00f3lica ambivalente: si bien puede evocar el estallido y la dispersi\u00f3n del fruto, tambi\u00e9n sugiere un renacimiento impl\u00edcito a trav\u00e9s de la diseminaci\u00f3n de sus semillas. El artista da forma as\u00ed a una reflexi\u00f3n sobre la destrucci\u00f3n y la trascendencia, y la envuelve de clasicismo, \u00abla eterna fuente de belleza antigua\u00bb, porque de este modo el miedo y la incertidumbre de su tiempo resultan m\u00e1s soportables.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El ideal cl\u00e1sico \u00abPuedo garantizar que tiene m\u00e1s m\u00e9rito crear belleza en 1947 que bajo la tutela paterna de un&nbsp;Perugino.\u00bb SALVADOR DAL\u00cd New Paintings by Salvador Dal\u00ed, Bignou Gallery, New York, 1947 Desmaterializaci\u00f3n cerca de la nariz de Ner\u00f3n La reivindicaci\u00f3n del clasicismo y del Renacimiento, que arraiga con fuerza en la obra de Salvador [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/horst.salvador-dali.org\/es\/sobre-la-belleza\/el-ideal-clasico\/\">Leer m\u00e1s&#8230;<span class=\"screen-reader-text\"> from El ideal cl\u00e1sico<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"parent":3046,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-bellesa.php","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-3065","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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